Bach at the Crossroads
Free
Johann Sebastian Bach — Seufzer Tränen Kummer Not
Johann Sebastian Bach — Bist du bei mir
Johann Sebastian Bach — Partita No. 1 in B-flat major BWV 825
Johann Sebastian Bach — Prelude and Fugue in G minor BWV 535
Johann Sebastian Bach — My Heart Ever Faithful
Karin McCullough, piano
Mary Davis, soprano
Colin Ward, tenor
Malya Muth, soprano
Lori Williams, soprano
J.S. Bach - Selections from Partita No. 1 in B-flat major
J.S. Bach - Prelude and Fugue in G minor from the Well-Tempered Clavier, Book I
J.S. Bach – My Heart Ever Faithful
J.S. Bach/Gounod – Ave Maria
J.S. Bach – Seufzer, Tränen, Kummer, Not
J.S. Bach – Bist du bei mir
J.S. Bach – Quia Respexit from the Magnificat
An all-Bach performance: Pianist Karin McCullough performs solo keyboard selections from the French Suite No. 4, from the the First Partita, and from the Well-Tempered Clavier Book I, and accompanies soprano Mary Davis in “My Heart Ever Faithful,” tenor Colin Ward in the Bach/Gounod “Ave Maria,” and soprano Malya Muth in “Seufzer, Tranen, Kummer, Not” and “Bist du bei mir.” Lori Williams performs Quia Respexit from the Magnificat with Karin McCullough, piano, Maureen Stone, oboe and Julie Reed, cello.
About Bach in the Subways
Bach in the Subways is an international movement founded by cellist Dale Henderson to sow the seeds for future generations of classical music lovers by generating public interest and excitement for the art form. Every year on March 21, Johann Sebastian Bach’s birthday, musicians around the world celebrate Bach in the Subways Day by offering performances in subways, public spaces, and concerts open to all. The music is given freely as a gift, and as an invitation to further explore classical music. For more, see http://bachinthesubways.com/.